Sleeve-rolling and Solipsism

A blond kid, maybe 20, sat in the rear corner of the bus with his school bag seated beside him. He leaned back and put a foot up on the arm of the perpendicular seat in front of him almost casually, but not quite. He didn’t seem to be getting comfortable, so much as seating himself in the position that he believed onlookers would expect of him.

Nobody was paying any attention.

He looked out the window. Because that’s what you do on a bus, look out the window. He didn’t care what he saw, but he fit in and that was enough.

Again, nobody was paying any attention.

He didn’t care what he saw, that is, until his eyes fell briefly on to his own person and he realized, for shame, his sleeves were rolled up to different heights relative to his elbows. He pulled his foot down from its perch and scooted back in his seat. He leaned forward a bit and extended both arms, elbows locked, until his hands rested where his foot had been.

There he sat, head oscillating 15 degrees from right arm to left arm and back, like a stern father silently judging his two children for a only a single offense before resolutely spanking them both.

He sat back and unrolled both the sleeves of his red plaid button-down. They dangled limp at his wrists. From above his elbow down to his cuffs, they were hopelessly spider-web creased from only ever having been worn scrunched up around their timid owner’s biceps and upper arm fat.

Carefully, but with the ease and obstinacy of having done this hundreds of times and never considered an alternative, the kid tucked his left cuff inside itself, then folded it once more till it bunched just below his elbow. He stopped for a moment to scrutinize his work. He shook his arm slightly, straightening the stretch of sleeve that remained unfolded and testing the mettle of the portion he’d just gathered.

It passed muster and he completed his left sleeve with one more roll.

He held out his arm, slightly bent and wrapped carefully in its completed cuff, and looked down at the inside of his elbow like his blood pressure was being taken. Then he straightened it, swiveled his wrist in, and tucked his shoulder forward to get the best view as he could of the back of his punctiliously rumpled sleeve.

After this once-over, he seemed at ease with the bunched-uppedness of his left sleeve and turned his attention to his right arm where his shirt still hung in flaccid, fearful shame, like all kids who have to wait for their spankings do.

He began the same process there. Tuck, roll, appraise, roll, inspect.

Only now, two additional factors complicated his task. One, he must work with his left hand, which obviously didn’t feel as sufficient for the task as his right. And two, now, with his left sleeve already finished, there was more than just an unincarnated ideal cuff to compare his work to. The right sleeve must become the left sleeve’s identical twin—despite their having different fathers.

After finishing his second armroll. He again stuck his arms out straight—the way he had when he noticed the original discrepancy. This time his judgment fell solely on his right arm, which he re-unrolled, leaving his left, in its scrunched-up state of apparent adequacy.

Tuck. Roll. Appraise. Roll. Inspect.

Still not good enough. Unroll. Start over.

Tuck. Roll. Appraise. Roll. Inspect.  Five times he did this. Tuck. Roll. Appraise. Roll. Inspect.—ad nauseam.

Finally, he seemed satisfied. But not happy-satisfied. Just that’ll-do-satisfied. The way a teacher feels when she marks “Satisfactory” on a report card. We wish little Jimmy did better, tried harder, learned faster, paid a little bit of attention, and could tell time on an analog clock at least to the quarter hour, but we don’t want to split him from his friends. He can move on to 4th grade, I suppose. But be sure to work with him on his spelling and timetables over the summer, keh?

That kind of satisfied—Oh, and here are some flash cards you can borrow and a paper clock he can practice with. Just bring them back to me in September, keh?—Which isn’t really satisfaction at all.

It’s a hard life when you require and expect order—not to mention, symmetry—from randomness…

Having shown his power to achieve near-adequacy with at least his shirt, the kid sat back and looked out the window again, the way he instinctively knew he was supposed to. Occasionally he glanced down to recheck his work, flexing his biceps to see how the roll of his cuffs felt against his arms at various girths.

Are my rolled sleeves the same length? Do the rolls look the same as each other? Do they feel the same against my arms? How will they hold up to what today might bring? What will today bring…for my sleeves, I mean. What will people think?

Nobody was paying any attention.

His foot was back on the arm of the seat in front of him. He held his toe in position while his heel bounced up and down with the rest of his leg like he had to take a leak or perhaps something else was troubling him.

But nobody was paying any attention.

His eyes pointed aimlessly out into Minneapolis as the bus passed 4th and pulled to a stop. I stepped out into the hazy blue-glass-glare of a downtown morning onto a wide, empty sidewalk where I would wait for the 22. As the 14 pulled away, I looked back up at the kid through the window, but he wasn’t looking out toward me. His head was down and his sleeve was unrolled.

*               *               *               *               *

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My Recent Momentary Punk Rock Phase

The following essay describes my time at a Reckless Ones concert.

*               *               *

I paid 6 bucks to get in here, which didn’t feel very punk rock to me. I mean, I’ve never been punk rock, and I’ve only been to one punk show, as far as I can remember, but there’s an aura of punkrockishness that we on the outside perceive, whether accurately or not. And paying to see a show doesn’t fit.

A third of the money I gave the guy at the door was a 2-dollar bill, which I got a friendly nod and an “I like that” about. So while a cover charge may be a distinctly bourgeois practice, there are apparently more and less punk rock ways to participate. Maybe I’m pretty punk rock after all.

I should have brought a sockful of pennies, because that’s like money, weird, and a potential weapon all at the same time. Very punk rock, right? Of course, that might have annoyed the doorman and crossed the line. But, wait, isn’t crossing the line what being a punk is all about?

It’s confusing trying to be acceptably sociopathic. How does one go about being antisocial while maintaining the cordial society of other antisocialites. It must be stressful rocking the punkitude.

I sat down at a table in the middle of the bar while a band scratched and screamed and generally connipted through whatever electricity was made available to them onstage. When I closed my eyes, I could feel the outrageous noise in my chest, and I understood how, for some, that physical vibration could alchemize into emotion.

But it didn’t for me, because whenever I opened my eyes I saw the singer, who looked way too much like Michael Cera to lead me anywhere resembling angst or despair. Also, he wore a dress. Which isn’t too distracting in and of itself, but for the last song he pulled the straps off his shoulders and folded the top down so he was shirtless with a skirt, and I kept thinking to myself, “This guy has a day job…at a banana stand.”

They finished their set and the emcee overeagerly hopped on stage and started swearing at us while another band set up.

I wanted to be like, “Dude, saying fuck doesn’t make you punk rock. You work at Radio Shack and the last thing to make you really mad was a teller’s error at the Wells Fargo drive thru.”

Then, as if transporting us to a different show, the next band started, and I could feel the music telling me if I needed to be sardonic, I could just go home.

I obeyed. Not by going home, but by shutting off my inner commentary and just rattling along with the rock and roll. It was Reckless Ones up now, the band we were there to see.

“What have you got for us, gentlemen?” I challenged them silently, and then sat back for an answer.

Kevin stood back from the center-stage microphone and strangled his guitar by the neck while his other hand stabbed it in the body with a pick. Adam, to the left, twirled his bass and rapped his fingers against the strings in rapid-fire volleys of sixteenth and thirty-second notes. Dylan, to the right, stood over the cowering drumset, cudgeling it mercilessly.

Intimidated, I’m sure, by their attackers tattoos and unmoving coiffures, the instruments submitted hopelessly. They bawled in pain and anger, and their reverberating cries shot through the speakers in the ear-splitting, fear-splitting sounds of hypersonic psychobilly.

Man against music, the stage brawl continued to the delight of several dozen PBRed Minneapolitans wearing Salvation Army formalwear.

Ohhhh. Punk Rock Prom is what this was.

Considering that I was unusually dressed for the venue in my jeans and windbreaker, I hadn’t been entirely aware that most everyone else was dressed weird, too. Unlike me, though, they were being ironic—tats and beaters garbed in sheen and puff. This explained Michael Cera’s dress. Kind of. And now the décor made a modicum of sense also.

Red and white streamers draped aimlessly across the ceiling, hanging here, dangling there, like vacant cobwebs. The spiders who’d built these homes and traps must have left in a hurry: Edible prey remained, untouched in the web of streamers—balloons like stuck flies swaying in the breeze of the dark bar’s whirring HVAC.

Scurrying around below, over-dressed, under-groomed partiers scuttled and mobbed about, cheering the band’s dulcet abuse of its instruments.

This was punk rock. I could argue against it; I could point to the inconsistencies, the ridiculous posturing. But I didn’t. Because I could feel it. I could———

A girl in a wedding dress skanked out of the crowd past our table…and pulled out her iPhone.

The bubble popped. The fragile universe inside of which all these kids were legit and world was wonderful for all its horror—this fragile universe shattered for me. I wanted to stay there, but there was nowhere left to stay. This rebellion, this anger, this violent release was all a farce.

I could see being punk rock, but that’s not what this was. How can you give AT&T $60 a month and still think you’re sticking it to the man? You can’t is how.

I turned back to the music. It was still blazing; I was still impressed. But I was on the outside again. A distant observer. A critic. Hearing, not listening. Watching, not seeing. Present, but not living.

I wanted back in, but with all the bands on the bill, the sets were short. Reckless Ones were done. For a moment there I’d been punk, I think. But now I’m not anymore and I’m wondering—ruefully, perhaps—what should I be next?

*               *               *               *               *

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Reckless Ones

Reckless Ones on MySpace // Reckless Ones on Amazon

The Drunk Girl’s Ride Home

This concludes the serial story that I got myself into last week. Here are parts 1-3.

  1. I Am Your Creepy Uninvited Secret Bodyguard
  2. Crossing a Bridge with a Drunk Girl at Midnight
  3. I Wanna Get Her Home, Then Go Home. That’s all.

*                *                *

A limo idled by the Otter Saloon while the drunk girl stood on the corner holding her shoes and purse against her chest in a hug, shivering and plaintively staring at nothing. If I were a painter and this were the scene I chose to interpret onto some canvas, I think I’d entitle it “Concussed Hooker.”

Everyone would look at it and nod slowly the way people do when they look at art that they’re supposed to appreciate because everyone else is nodding slowly too. They’d discuss how the poor prostitute came to be in this forlorn state, not because they care, but because they don’t want anyone else to know that the really don’t care and they’re only at the gallery’s grand opening for the free wine.

All the while, I, the omniscient artist, would stand quietly in the corner, knowing she’s neither a prostitute nor has she recently sustained a head injury. All she is is cold and just plain drunk, lost and losing it at this point.

“I’m just gonna walk,” she muttered as she leaned and tumbled back against a column and slid her back down it till she was seated on the concrete. Her knees pointed up while her arms draped across them and her head sagged almost below her neck. She looked liked she’d just lost a soccer game.

“Uh-huh,” I answered more out of obligation than because I thought she was listening. “I doubt that would be your best option.”

“Well, what am I supposed to do?” She answered, picking her head up and letting it fall back with all the physical aptitude of a 2-month-old to be held by whatever might catch it—her backrest, the column, as it turns out. So apparently she was listening.

“You’d regret trying to walk home,” I told her.

“No I wouldn’t,” she argued, “Not till tomorrow.” She had a point.

I told her to just sit tight and I’d figure something out.

Now let me just push the bounds of acceptable narrative technique and step out of this tale to explain a couple things you might be wondering about. It’ll only take a moment. A little midstory FAQ, if you will:

Your Question: Why didn’t she just take a cab?

My Answer #1: I’ve neglected to mention so far that the reason she was walking home was to spite the friends she left at the bar. If I’d included that in my story, I would’ve needed to use more f-words and various other more creative sexual invectives than I’m comfortable writing down for a general audience.

Point being, she wanted to make a point, so her pride wouldn’t let her take a taxi. Don’t think I didn’t suggest it, oh, maybe twenty times.

Answer #2: Also, she didn’t have any money (at least that’s what she told me—I didn’t check her pocketbook or anything).

Question: Why didn’t you pay for her cab ride?

Answer: I had $9 on me, and unless I wanted to get home at about 3AM, I was gonna need my own ride home.

Question: Still, why didn’t you pay for her cab ride. You could’ve figured out a way home easier than she could.

Answer: Why didn’t you pay for her cab ride? Stop pressuring me.

Question: Why didn’t you just call someone for directions?

Answer: I don’t have a phone.

Question: Why didn’t you call someone on her phone, then?

Answer: Hmm. I didn’t think of that. That would have been a good idea…

Ennyhoooo…

I got the limo driver’s attention and waved my hand around in the universal sign for “Roll down yer window, please, woodjya?”

He complied, and I inquired of him with all the chutzpah of Oliver Twist asking please sir for more if he knew where 12— T—— Street was. I also explained why I needed to find out.

He said he didn’t know, but he would in a second, and pulled out his phone. Handy thing, those. “Oh, it’s not far. Just a couple miles.… Oh wait, that’s right. You guys are walking aren’t you?”

Yes, indeed we are.

He got out of his car and told me to hold on for a minute. His fares were tumbling out of the bar in ragged shirts and Converses. He opened the limo doors for them and they all ducked in laughing and making sure their Mohawks stayed in place and nobody banged against their nipple rings amid the ruckus.

After he’d shut this crowd into their incongruous luxury, he turned back toward me and looked over my shoulder at the girl who was now standing near us instead of slouching against the building.

“Listen,” he said, “I gotta drop these folks off and I’ll be back in 10 minutes.”

“OK,” I answered, not really believing him.

While we waited, I followed the girl around at a distance. In the bar; out the bar. Up the street; back to the corner. In the bar again. I stood back as she talked up a stranger. Out of the bar again. To everyone else I must have seemed like the sober friend stuck managing the partier in our posse. Or maybe I came across as some stupid dude who’d bought his first date too many drinks.

Of course, I wasn’t actually either of those things. I was a stalker. So really whatever impression I gave these people was an improvement on at least one interpretation of reality.

We saw a limo turn the wrong direction a block away. I thought for sure we’d missed her ride home because she’d taken too long going to the bathroom. But then, up to the red light, across the intersection, pulled what seemed like it could be the silhouette of her stretch limo savior. I couldn’t tell for sure, because I couldn’t see past the headlights.

Still, those look like limo headlights, I told myself. And they were.

He pulled up and got out. Without speaking, as if this was normal for her, the girl headed to get in.

“No,” the driver said, “you’re riding in the front.”

She obeyed. And without any ado or adieu they were off. I stood outside the Otter Saloon, 3 miles from home, and hoped like hell I hadn’t just guided her into the one situation that I was trying up till now to protect her from.

I didn’t know this guy driving her around at one in the morning. She didn’t know him. Not only that, not a person on the planet other than phoneless me knew she was with him. As soon as they turned the corner, I regretted not getting his name or company or car number.

I started walking north on First, comforting myself with this rationalization:

Sure she’s at risk, but before you came along, there were, I don’t know, like a million bad things that could’ve happened to her. Now that you’ve helped her, there’s only a couple bad things that might happen. So you really narrowed down her risks.

You minimized the potential of hurt in her life tonight. Keeping her out of a million harms’ ways by putting her in just one harm’s way. That’s gotta count for something. It’s not perfect protection, sure, but it’s at least some kind of protection.

You’re not a freaking superhero or guardian angel. You’re just dude out for a walk on Saturday night. You did your best and everything will be fine.

Everything will be fine. Everything will be fine.

I kept on preaching this pep talk to myself as I hailed a taxi and asked the driver if he’d take me to 11th and Franklin for $9. He said, “Sure, if you give me the money now.” I did and 10 minutes later I was walking in my front gate, sneaking in my dark house, and whispering “I’m home” to my sleeping wife.

A half hour earlier, before the girl got in her surprising ride home, she’d reached out and tapped the notebook in my coat pocket with her knuckles like she was knocking on a door. “What’s that for?”

“Sometimes I write stuff down,” I told her with all the specificity my mood allowed.

“Well, maybe tomorrow you’ll write a poem or a song or whatever about the random drunk girl you met tonight. You should do that.”

“OK. Maybe I will.”

*                *                *               *                *

If you enjoyed this post, I’d be very grateful if you considered sharing it with your friends in whatever way you like to do your internet sharing.
You may also want to subscribe to Downhill Both Ways. Thanks a lot for reading!    -Abraham

Convo with a Hotdog-Making Veterinarian’s Assistant

Are you my friend? I don’t have any friends. Will you be my friend?

What do you need?

All my friends died, man. I’m from around here, but got no friends, cuz they all died. Well sorta I’m from around this town—I’m from Texas.

All my friends died.

I’m sorry to hear that.

That guy keeps looking at me. The limo driver over there. He keeps looking at me like I’m no good. Like he’s better than me. But you’ll be my friend, right?

Sure. For a moment. What do you need?

Well, I…Why do I gotta need something? … I don’t think I need anything.

Do I?

Suppose not. If you say so.

So you’re gonna be like that then?

Like what?

Why you being a jerk all the sudden?

I am?

What. Is that your limo over there?

I’m at a bus stop.

That’s your limo over there, isn’t it?

Yes. Yes, it is. Go tell the driver I said you could have a ride.

No…Really?

Sure. Go tell him I said you could take a ride.

Listen. I’m good at what I do.

OK?

I am. I’m good at it.

What do you do?

I make hotdogs.

Sorry?

I said I make hotdogs.

Ahhh. Where do you do that.

Eden Prairie. And I make warming blankets for dogs that have been shot.

I don’t even know what that means.

Like if that guy there shot a dog, I’d make it a warming blanket.

Oh no. I’m sorry. I’m sorry. I Shouldn’t talk about him shooting a dog. But seriously. He looks like he wants to shoot me.…

You should maybe chill out.

…or beat me up. Please don’t beat me up.

Seriously, dude.

I thought you said you were gonna be my friend.

I will be, but you’re in my face. Back up to talk to me and we’ll be just fine.

You sound just like Lydia.

Yes. Me and Lydia agree about you not being up in our face.

You know Lydia?

No.

You’re Lydia’s brother, aren’t you?…… No, you’re not. You don’t look at all like her. Nope. And also she doesn’t have any brothers.

*               *               *               *               *

If you enjoyed this post, I’d be very grateful if you considered sharing it with your friends in whatever way you like to do your internet sharing.
You may also want to subscribe to Downhill Both Ways. Thanks a lot for reading! -Abraham


Copyright © 2010 Abraham Piper.

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